Andrea Cionci: Bergoglio's Minions Inaugarate New Museum in Rome
A walk on the wild side in the footsteps of St. Ignatius of Loyola
The journalist Andrea Cionci has asked me to once again publish one of his recent articles in English. This is undoubtedly one of the most startling and concerning pieces that he has authored, the likes of which would make even Lou Reed and Buffalo Bill blush. I plan on making my “pilgrimage” tomorrow.
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They are no longer hiding it now. Everything is happening out in the open. Milan’s Archbishop Delpini organized a workshop on 16 February 2024- closed to journalists - entitled "The Catholic Church and Freemasonry." Present were the Grand Master of the Grand Orient of Italy (GOI), Stefano Bisi, the three Grand Masters of the three Italian lodges (the Grand Lodge of Italy of the ALAM and the Regular Grand Lodge of Italy) together with Bishop Antonio Staglianò, president of the Pontifical Academy of Theology, Cardinal Francesco Coccopalmerio, and Father Zbigniew Suchecki, a Franciscan theologian and expert on Freemasonry.
This is hardly surprising, given the coup d'état that took place in 2013 in the Vatican, with the convening of an illegitimate conclave to replace a non-abdicatory but impeded Pope, after the translations of Pope Benedict XVI's Declaratio were manipulated, as we documented HERE.
The historical, atavistic, and deadly enemy of the Catholic Church has taken control, and it now is revealing itself for what it is.
That is why the birth of a new museum on the premises of the Jesuit Motherhouse in Rome, (La Chiesa del Gesu, The Church of the Holy Name of Jesus) in the building that is being shared with the Church of Jesus Christ, immediately enticed us, not least because of its catchy title "Museum of Light."
By now certain contexts are recognized by sleuthing, so we decided to visit the museum. As soon as we entered, a charming blond lady- the manager- petrified the writer with her greeting, "You have chosen the dark side, then."
After the first 20 seconds of parallel gazing, we realized that the museum is divided into two parts, light and darkness, or an Italian chiaroscuro.
The museum is set in the basement of the Jesuit Motherhouse, where the apartments of St. Ignatius of Loyola and his confreres once were.
It belongs to a Lithuanian company that has already installed optical illusion museums in some European cities. "Live an enlightening experience," is the punny slogan. "The museum's exhibition takes place in a 1,000-square-meter (more than 3000 square feet) space where light installations meet scientific and artistic inventions: the art of light and optics are displayed together with discoveries that changed the world. The exceptional educational experience is enhanced by interactive entertainment: you can draw with light, create your own light installation, and experience unforgettable moments in the UV room."
A museum also for children, with young and affable staff, crowded with mirrors, lenses, light plates, reflection games, diffraction etc. to help them understand how light works.
However, the images that are offered as a pretext to illustrate optics and light phenomena, as it happens, all seem to have a certain common thread.
The first is a tablet that is supposed to represent any drawing and to show a decomposition of colors but, quite gratuitously, proposes instead a triangle, a snake, and an eagle. Gnostic-Masonic symbols so obvious that we are taken aback: could it be possible to start so blatantly right away? We expected something more subtle....
John Cairo writes in Dictionnaire raisonné des symbols: "It is well known that Italian Freemasonry - as much of the Symbolic Rite as of the Scottish Rite - is divided into Lodges and Triangles. Hiram-the magnificent builder of Solomon's temple- wore suspended from his chest the golden triangle enclosing the secretive mosaic laws and the true name of the Great Architect of the Universe. The triangle is an iconological participle of the globe of Science."
The serpent of Gnosis is symbolic of the Promethean god who reveals to man that man is God himself, (thus the devil was correct), then the eagle, which is able to look into the sun, identifies the Freemason who is not dazzled by the light of knowledge.
Immediately next to it, there is another tablet bearing a Monarch butterfly.
The symbol of The Monarch Program, a project created by the CIA in the 1950s and 1960s, it was tested on civilians and military personnel with specific techniques and was used to reach the total disintegration of one's psychological state in order to make one an obedient slave. It recurs subliminally in several music video clips HERE .
Moving along, two landscapes linked to light: the dome of St. Peter's and next to it that of the Pantheon. An innocuous architectural association? It goes without saying. The dome of the Pantheon, with its oculus, is "the Sun, the gateway to the world (loka-dvara) that admits the wise into Paradise, but constitutes a barrier for the ignorant" as we read on this Rosicrucian site HERE . The association with St. Peter speaks for itself.
Then, there is a portrait of a well-known playmate, displaying the signature Play Boy bunny logo. The symbol is lunar, connected to eroticism and witchcraft. Document HERE about pornography as a tool of individual and social control.
Speaking of the moon, all visitors must wear a moon-shaped sticker on their clothes.
Harmless enough is the magic lantern including the little devil, then the silhouette vase with the profiles of the British royals, who have always been linked to Freemasonry.
It continues with a strange polyhedron-shaped lamp, a Pythagorean symbol that also gives its name to a strange syncretist theory of antipope Francis.
Again a panoply with Albert Einstein's portraits, another famous Freemason.
We then continue with a nice chromatic lighting effect with a sheep's head that turns out to be a wolf's.
As it happens, the wolf disguised as a lamb, which echoes Matthew 15, is the heraldic symbol of the Fabian Society, which is inspired by Quintus Fabius Maximus the temporizer.
According to Davide Rossi, author of the book "The Fabian Society and the Pandemic," the circle wants "to establish a socialism led by a narrow aristocracy of power, but not through an immediate revolutionary act as much as through gradualism, a take over that occurs over time, with reforms to be implemented by slipping into the ganglia of already existing institutions, and transform them, almost imperceptibly, from within."
We then come to a room where the yellow light resets all colors: of course a large rainbow, the LGBTQ+ symbol, stands out, and to the right a panoply of European Union flags. But just from the EU, complete with caption? Opposite, an Oliviero Toscani photograph with boys of all races. Homosexualism, pro-Europeanism, immigrationism, the usual global-masonic tantrism.
By the way: globalist elites really like optical tricks in the mirror. If you didn't know, here's what you can see behind the new 50 euros.
The book shop there sells some fun gadgets: a glowing skull, a Masonic symbol of the prevalence of spirit over matter, formerly the symbol of the American Skull & Bones lodge; the pyramid, and the duck, linked to Isis; and finally the Great Mother, an iconic animal of Freemasonry since the first lodge was born in 1717 in the London tavern Goose and Gridiron.
Have you wondered why at the San Remo Festival, founded by a Mason, John Travolta had to degrade himself by performing the Chicken dance? Well, now you know why. And it is no coincidence that the same was even danced during an alleged Eucharistic celebration, at mass, in Piedmont. (Fortunately invalid, as it was in communion with Antipope Bergoglio; see Ecclesia de eucharistia art. 39) HERE at minute 17.10.
So if you want to visit what we think is more likely to be described as the museum of Gnostic-Jesuit-Masonic globalism and its subliminal propaganda, tickets are 6, 13, 17, or 53 euros, obviously numbers with strong esoteric significance.
We are quoting from the website of the Most Serene Grand Lodge of the Italian Symbolic Rite (GOI): "Over the past 20-25 years, several Jesuits have taken a positive interest in Freemasonry, participated in public debates, in conferences organized by the Grand Orient of Italy, and have written articles and books on philosophical thought and the history of Freemasonry: in other words, they were the only clergymen who, despite the anathemas and various excommunications of the Church of Rome against the Masonic Institution, tried to understand, and very often ended up sharing its philosophical approach!"
It puts a smile on one’s face that this supposed "arcane mystery and symbolic knowledge for initiates only in the light of knowledge" is now just a click away for everyone. When you see an obsessively and strangely recurring symbol, just Google its association with the words "freemasonry," "esotericism," "alchemy," "magic." And presto changeo!
The usual well-wishers will say, "Mischief is in the eye of the beholder," and it is exactly this intelligence-deadening cliché that our "friends" rely on to infuse the world of images surrounding us and our children with subliminal symbols.
However, on the museum's phosphorescent blackboard, some unknown hand has left an unmistakable message.
Soon another light will come to sweep away the shadow.