“When I speak of a control system for planet earth,” he says, “I do not want my words to be misunderstood: I do not mean that some higher order of beings has locked us inside the constraints of a space-bound jail, closely monitored by psychic entities we might call angels or demons. I do not propose to redefine God. What I do mean is that mythology rules at a level of our social reality over which normal political and intellectual action has no power.”
-Jacques Vallee
Place names with mystical associations make for occult patterns in specific geometric patterns. Lines of longitude and lattitude influence geometrical patterns on the Earth’s surface, as do lines of magnetic force that run from pole to pole, as well as the diamagneic lines that have positions as right angles to the lines of magnetic influence with polar direction. The lines of longitude and latitude make for geometrical figures (patterns) on the Earths surface, and those patterns are demonstrated with lines, angles, degrees, minutes and seconds. Certainly, no one can logically deny that, nor can it be logically denied that the Earths lines of magnetism and diamagnetism make for tessellation and further that the tessellation can be demonstrated, to some extent, in the same way that lines of longitutde and lattitude are indicated.
-James Shelby Downard
The assassinated President was symbolically represented as the point in a circle, and since he was of such symbolic death ritual importance, he certainly wouldve been entitled to the old egyptian funeral fan treatment. Whats more, they mightve at least had a “sex goddess” or “goddess of Love and Beauty” outfitted as a Hawk to do some fluttering over the affair. Jaqueline Kennedy, the “Queen of Love and Beauty,” would surely have been the first choice for such fluttering, for besides her many charms, she visited the Egyptian death symbol exhibition at the National Gallery and was photographed with “the hawk headed god Hor-khenty-khem. For all we know, she may have been “magnetized with the good old fashioned Egyptian Masonry magnetism.” of Cagliostro.
-James Shelby Downard
As any of you following along may have guessed, this is not a standard account of a conspiracy theory. The conspiracy I am hinting at in these pages transcends mere boardroom plots, it is a conspiracy against reality itself. Dramaturgy and psychodrama playing out across the great chessboard of earth, myths taking on flesh and gods incarnating into the craftmen’s marble. In this tale, there is no man behind the curtain, no gaggle of factionalist schemers twiddling their mustaches from an underground bunker. This is something stranger. And a temporary suspension of logic and causality may be required to continue.
Man is ruled by ritual, and the true stage directors in our cosmic conspiracy are man’s very symbols themselves.
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James Shelby Downard, a man equal parts brilliant and eccentric, first postulated the Kennedy assassination as a ritualistic ‘Killing of the King’ ceremony in his publication King Kill 33. Downard tends to be outright dismissed or at least overlooked by mouth-breathing conspiracy theorists as his approach to such things is too strange for them to digest. Downard seemed to believe that man had a better chance of making sense of “conspiracy” through mythology as opposed to more standard methods of deduction. A methodology more concerned with symbols and place names than with wire transfers and modus operandi. As insane as it may seem, Downard had a remarkable ability to discover things of a more concrete nature while using this seemingly absurd hermeneutic. And as we have seen in the preceding chapters, I have had tremendous success with it myself. If anything, view all of this as an odd heuristic. My friend Unconscious Abyss said it best: “The best way to read Downards work is as a grimoire.”
I do not have the time to give a comprehensive overview of King Kill 33, but I will quote a bit of it to get you started. If interested in the full text click here.
The "science of names" forms only one segment of the science of symbolism used by Masons. Names i.e. words in themselves are merely descrip- tions and they rise and fall in usage like a cartesian doll with some words becoming archaic very quickly. What's more some words are given meanings that are known only to the initiated while other words are profound and abstruse so the "science of names" gets real weird even before it is identifiable as word wizardry by beginning investi- gators of it.
The JFK assassination encounters this science in a decisive way and contains a vertible nightmare of symbol-complexes having to do with violence, perversion, conspiracy, death and degradation. These elements are important not only as cause- and-effect in the murder of a president but in the ensuing reaction of the people of America and the world.
The fertility and death symbolism in the 'killing of the king' rite which is part of Greening Ritualism that has to do with JFK has been suppressed because examination of it must necess- arily link it to "Freemasonry" and its mysticism as well as to the political influence it exerts.
Never allow anyone the luxury of assuming that because the dead and deadening scenery of the American city-of-dreadful-night is so utterly devoid of mystery, so thoroughly flat-footed, sterile and infantile, so burdened with the illusory gloss of "baseball-hot dogs-apple pie-and-Chevrolet" that it is somehow outside the psycho-sexual domain. The eternal pagan psychodrama is escalated under these "modern" conditions precisely because sorcery is not what "twentieth-century man" can accept as real. Thus the "Killing of the King" rite of November, 1963 is alternately diagnosed as a conflict between "anti-Castro reactionaries and the forces of liberalism", big business and the big bankers, this-or-that wing of the intelligence community and so on. Needless to say, each of these groups has a place in the symbolism having to do with the Kennedy assassination.
But the ultimate purpose of that assassination was not political or economic but sorcerous; for the control of the dreaming mind and the marshalling of its forces is the omnipotent force in this entire scenario of lies, cruelty and degradation. Something died in the American people on November 22, 1963 — call it idealism, innocence or the quest for moral excellence — it is this transformation of human beings which is the authentic reason and motive for the Kennedy murder and until so-called conspiracy theorists can accept this very real element they will be reduced to so many eccentrics amusing a tiny remnant of dilletantes and hobbyists.
-James Shelby Downard King Kill 33
The gist of the theory (if you can even call it that) is that the assassination of the King of Camelot was a ritualistic Killing of the King, an archetypal myth most widely personified by the mythological murder of Osiris.
The Osiris myth is the most elaborate and influential story in ancient Egyptian mythology. It concerns the murder of the god Osiris, a primeval king of Egypt, and its consequences. Osiris's murderer, his brother Set, usurps his throne. Meanwhile, Osiris's wife Isis restores her husband's body, allowing him to posthumously conceive their son, Horus. The remainder of the story focuses on Horus, the product of the union of Isis and Osiris, who is at first a vulnerable child protected by his mother and then becomes Set's rival for the throne.
Today I will continue where Downard left off, and demonstrate how all of this fits in with our monumental complex in Manhattan. In particular, how Jackie O, by some strange process, was transmuted into a figural personification of Isis. I would recommend reading King Kill 33 before continuing.
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In our last article, we discussed the Temple of Dendur’s relocation to the United States and the Sackler wing of the Met Gallery next to the obelisk in Central Park. What we didn’t discuss is who the Temple was symbolically gifted to, and who played a central role in bringing this temple, dedicated to Isis and two dead brothers, too the united states.
And from the Met’s website:
It was Jaqueline Kennedy who took such a keen interest in this temple of Isis after her husband’s death.
But the King and Queen of Camelot’s interest in Egyptian antiquity actually preceded JFKs death.
The restoration of the Abu Simbel temple complex.
A litany of alarm bells and red flags should be drowning out your ears at this point. I would like to remind you of a section from a previous installment, with Freemason Weiss declaring Belzonis temple to be a mecca of masonry.
The Great Temple of Abu Simbel was built by no other than Ramsey the Great, and is one of those referenced by Weiss. Fascinating.
But back to Dendur.
It was Jackie O who was the mastermind behind the relocation of this Temple of Isis, the queen of Camelot whose dead king had recently “lost his head.”
But here is where it becomes even more interesting. The new location of the Temple of Dendur was a matter of fierce debate between the Smithsonian in DC and the Met in NYC. And the queen of Camelot initially wanted a DC location.
But the Smithsonian Institution was the Met’s fiercest competitor, arguing that Dendur should be situated outdoors in the nation’s capital. According to Hoving in his best-selling 1993 memoir, Jackie Kennedy was one of the more passionate advocates for its placement in D.C. In his typical frank and florid manner, Hoving recounts a heated phone call with the former first lady. The museum director requested Jackie’s help in garnering the support of her brother-in-law, New York senator Bobby Kennedy, but she vehemently refused.
“‘I don’t care if the temple crumbles into sand, but I want it to be built in the center of Washington as a memorial to Jack,’” Hoving recalls Jackie saying. “‘I don’t care about the Met. I don’t care about New York. Or Bobby’s senatorial duties. Or his constituents. Or scholarship. Or this conservation business …’.” Although Jackie eventually called back to apologize, that “conservation business” was likely what tipped the scales in the Met’s favor. At a government hearing, Hoving argued that placing the temple outside (as the Smithsonian reportedly planned to do) would destroy the monument in as little as 25 years.
Jackie O originally wanted the Temple in DC as a “memorial to Jack,” not caring if it crumbled to sand. So she at least understood at some level that the Isis temple was to be associated with the King of Camelot. After the Temple arrived in New York her opinions changed, and they became favorable. Jackie did not realize that the location had to be in the met, for it was to be associated with the other figure in the psychodrama, the Queen of Camelot, and not the King.
“From 1964 to 1994 she (Jackie) lived on the 15th floor of 1040 Fifth Avenue on the Upper East Side of Manhattan. It is on the north-east corner of Fifth Avenue and 85th Street, across the street from Central Park and a block up from the Metropolitan Museum of Art.”
Before the location was decided for the temple in the Met, Jackie had quite literally moved in right above where it would land.